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Composer and arranger active between jazz, classical music — mainly orchestral in character — and applied music. Experience in jazz ensembles and solo projects, with particular interest in writing for large ensembles
He began his musical training at the age of eight in Rome, studying Classical Piano at the Accademia Romana di Musica. He later deepened his studies in harmony, counterpoint, and composition under the guidance of maestro Gabriele Spampinato, as well as jazz piano, modern harmony, and music production techniques with maestro Giuseppe Sacchi. He is currently a Composition student at the Escola de Música da UFRN, with active academic and artistic engagement.
Musical Skills
Composition
• Classical composition, with emphasis on traditional orchestral writing; experience in contemporary contexts, particularly in solo and chamber writing.
• Jazz composition, with extensive experience in small ensembles, especially jazz fusion, and solid experience in larger formations.
• Soundtrack composition, with continuous practice over seven years, including the production of finalized tracks using professional sound libraries.
• Composition and arrangement in progressive rock genres, with practical experience in bands within the style.
Arrangement
• Pianistic arrangement (5 years of experience) and string arrangements in both popular and classical music contexts.
• Arrangements for jazz ensembles of varying sizes, from small groups to big band, including both conventional writing and modern arrangements.
Instrument
• Piano and keyboards, with predominant activity in popular music (jazz, jazz fusion, pop, rock, and MPB) and a relevant foundation in classical piano.
Music Technology and Production
• Production of orchestral mockups and musical demos for performance reference and applied music projects.
• Advanced use of sound libraries, both in music notation environments and in DAW-based MIDI production.
• Music notation software: functional knowledge of Sibelius and full proficiency in MuseScore.
• Sound synthesis, with a focus on digital synthesis (Nord Keyboard 6D, Roland GAIA, Vital).
• DAWs: consistent use of Ableton Live and Reaper for production, editing, and integration with MIDI and sound libraries.
Ensemble Practice and Musical collaboration
• Ongoing experience working with musicians and ensembles, including adaptation of writing to performers, rehearsals, sight-reading, and activity in live performance and recording contexts.
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